Movie ‘The Goat Life’ Review: Blessy Struggles to Elevate Benyamin’s Aadujeevitham by DIGITAL TIMES 2 years ago written by DIGITAL TIMES 2 years ago 0 comment Share 0FacebookTwitterPinterestRedditWhatsappEmail 193 You Might Be Interested In ‘La Máquina’ Review: An Insipid Tale of Resurrection ‘Blitz’ Review: Beautifully Crafted, Emotionally Hollow ‘Kill’ Review: Brave, Violent and Yet Deficient Tale ‘Anora’ Review – A Riveting and Thought-Provoking Addition to Sean Baker’s Filmography ‘Springsteen: Deliver Me From Nowhere’ Review – Familiar Tropes and Lack of Style Create Underwhelming Biopic about ‘The Boss’ ‘Blue Moon’ Review – Linklater and Hawke Joins Forces in Snappy Chamber Piece ‘The Goat Life’ Review: Blessy Struggles to Elevate Benyamin’s Aadujeevitham | Talking Films Previous Story ‘Ae Watan Mere Watan’ Review: Strong Concept, Marred by Inadequate Writing and Weak Execution Next Story ‘Ghostbusters: Frozen Empire’ Review: A Step Back That Still Holds Enough Entertainment Source link You Might Be Interested In ‘The Old Guard 2’ Review – Long-awaited Netflix Sequel Packs a Punch Sundance 2025: ‘Where the Wind Comes From’ Review – Two Souls on the Road ‘Despatch’ Review: A Well-Built Thriller, Yet Falling Short ‘The Monkey’ Review: Osgood Perkins Goes Bananas Blending Extreme Gore and Violence with Pitch-Black Humor But Misses the Mark in Everything Else ‘One Battle After Another’ Review: Paul Thomas Anderson’s Big-Budget Masterpieceof Virtuoso Action with Solid Elements of Drama, Satire and Thriller ‘Don’t Move’ Review: A Decent Sam Raimi-Produced High-Concept Horror-Thriller Featuring Kelsey Asbille and Finn Wittrock’s Solid Performances Share 0 FacebookTwitterPinterestRedditWhatsappEmail DIGITAL TIMES You may also like ‘Calorie’ Review: A Gentle, Felt Study of a... ‘The Family Man’ Season 3 Review: Another Season... ‘Wicked: For Good’ Review: Cynthia Erivo and Ariana... ‘Roofman’ Review: A Hilarious, Heartfelt Look at Crime... ‘Now You See Me: Now You Don’t’ Review:... ‘The Running Man’ Review: A More Faithful Adaptation...
Previous Story ‘Ae Watan Mere Watan’ Review: Strong Concept, Marred by Inadequate Writing and Weak Execution Next Story ‘Ghostbusters: Frozen Empire’ Review: A Step Back That Still Holds Enough Entertainment
Previous Story ‘Ae Watan Mere Watan’ Review: Strong Concept, Marred by Inadequate Writing and Weak Execution