Movie ‘Mickey 17’ Review: The Otherwise Surface-Level Sci-Fi Satire Features an Entertainingly Dual Robert Pattinson by DIGITAL TIMES 8 months ago written by DIGITAL TIMES 8 months ago 0 comment Share 0FacebookTwitterPinterestRedditWhatsappEmail 65 You Might Be Interested In ‘Kill’ Review: Brave, Violent and Yet Deficient Tale ‘Alien: Romulus’ Review: Alvarez Injects Life Into Yet Another Horror Franchise ‘Gladiator II’ Review: A Legacy Sequel that Triumphs through Spectacle and Emotion ‘Srikanth’ Review: A Shining Example of Rajkummar Rao’s Acting Prowess ‘Manjummel Boys’ Review: A Beautifully Made Engrossing Emotional Drama ‘Monkey Man’ Review: An Imperfect Yet Compelling Directorial Debut from Dev Patel ‘Mickey 17’ Review: The Otherwise Surface-Level Sci-Fi Satire Features an Entertainingly Dual Robert Pattinson | Talking Films Previous Story ‘The Monkey’ Review: Osgood Perkins Goes Bananas Blending Extreme Gore and Violence with Pitch-Black Humor But Misses the Mark in Everything Else Source link You Might Be Interested In Sundance 2025: ‘Sabar Bonda’ And The Weight of Quiet Observations ‘Godzilla x Kong: The New Empire’ Trailer sees Godzilla and Kong Team Up ‘Baksho Bondi (Shadowbox)’ Review: A Beacon of Hope in a Callous World ‘Bridget Jones: Mad About the Boy’ Review: A Heartfelt and Hilarious End of an Era ‘Don’t Move’ Review: A Decent Sam Raimi-Produced High-Concept Horror-Thriller Featuring Kelsey Asbille and Finn Wittrock’s Solid Performances ‘The Phoenician Scheme’ Review: for fans and skeptics alike, a more accessible entry point into Wes Anderson’s world Share 0 FacebookTwitterPinterestRedditWhatsappEmail DIGITAL TIMES You may also like ‘Frankenstein’ Review: Guillermo del Toro Turns a Passion... ‘Springsteen: Deliver Me From Nowhere’ Review – Familiar... ‘Mr. Scorsese’ Review: A Life in Frames ‘No Other Choice’ Review – Absurd Comedy Meets... ‘Blue Moon’ Review – Linklater and Hawke Joins... ‘A House of Dynamite’ Review: Kathryn Bigelow’s Potentially...
Previous Story ‘The Monkey’ Review: Osgood Perkins Goes Bananas Blending Extreme Gore and Violence with Pitch-Black Humor But Misses the Mark in Everything Else
Previous Story ‘The Monkey’ Review: Osgood Perkins Goes Bananas Blending Extreme Gore and Violence with Pitch-Black Humor But Misses the Mark in Everything Else