Movie ‘The Accountant 2’ Review: Ben Affleck and Jon Bernthal shine in a surprisingly superior sequel by DIGITAL TIMES 8 months ago written by DIGITAL TIMES 8 months ago 0 comment Share 0FacebookTwitterPinterestRedditWhatsappEmail 154 You Might Be Interested In ‘Eden’ Review: A Scene-Stealing Ana de Armas Anchors Ron Howard’s Bleak, Though Uneven 1930s-Set Survival Thriller ‘Sarfira’ Review: An Imitation in the Disguise of a Remake ‘Springsteen: Deliver Me From Nowhere’ Review – Familiar Tropes and Lack of Style Create Underwhelming Biopic about ‘The Boss’ Sundance 2025: The Virgin of the Quarry Lake – An Unsettling Journey Into the Unknown ‘The Goat Life’ Review: Blessy Struggles to Elevate Benyamin’s Aadujeevitham ‘Salaar’ Review: A Style-Centric Spectacle That Sacrifices Substance ‘The Accountant 2’ Review: Ben Affleck and Jon Bernthal shine in a surprisingly superior sequel | Talking Films Previous Story ‘Havoc’ Review: Gareth Evans Soaks Up a Familiar Bullet-Ridden and Bloody Action Thriller Next Story ‘Thunderbolts*’ Review: Jake Schreier’s First Foray into the Big-Budget Studio Filmmaking Benefits From Florence Pugh-Led Team Dynamics Source link You Might Be Interested In ‘Srikanth’ Review: A Shining Example of Rajkummar Rao’s Acting Prowess Review: ‘Second Chance’ is a Thoughtful Exploration of Life, Grief, and Hope ‘Caught Stealing’ Review – Anarchy and Punk Rock Meets Criminal Underworld in Aronofsky’s Latest Achievement ‘Varshangalkku Shesham’ Review: A Typical Bubble-Wrapped Vineeth Sreenivasan Goodness Overload ‘Kantara: A Legend – Chapter 1’ Review: Myth, Power, and the Pulse of the Forest Appuram (The Other Side, 2024): The Quiet Currents of Life Share 0 FacebookTwitterPinterestRedditWhatsappEmail DIGITAL TIMES You may also like ‘Sentimental Value’ Review: Joachim Trier’s Profound Meditation on... ‘Sisu: Road to Revenge’ Review: Jalmari Helander Unleashes... ‘Secret of a Mountain Serpent’ Review: A Poetic... ‘Calorie’ Review: A Gentle, Felt Study of a... ‘The Family Man’ Season 3 Review: Another Season... ‘Wicked: For Good’ Review: Cynthia Erivo and Ariana...
Previous Story ‘Havoc’ Review: Gareth Evans Soaks Up a Familiar Bullet-Ridden and Bloody Action Thriller Next Story ‘Thunderbolts*’ Review: Jake Schreier’s First Foray into the Big-Budget Studio Filmmaking Benefits From Florence Pugh-Led Team Dynamics
Previous Story ‘Havoc’ Review: Gareth Evans Soaks Up a Familiar Bullet-Ridden and Bloody Action Thriller
Next Story ‘Thunderbolts*’ Review: Jake Schreier’s First Foray into the Big-Budget Studio Filmmaking Benefits From Florence Pugh-Led Team Dynamics