Movie ‘The Accountant 2’ Review: Ben Affleck and Jon Bernthal shine in a surprisingly superior sequel by DIGITAL TIMES 6 months ago written by DIGITAL TIMES 6 months ago 0 comment Share 0FacebookTwitterPinterestRedditWhatsappEmail 142 You Might Be Interested In “Superman” Review: James Gunn Gives the Man of Steel a Soul ‘We Live In Time’ Review – Every Second Counts in this Exceptionally Crafted Love Story ‘Dune: Part Two’ Review: The New Generational Epitome of Sci-Fi Epics ‘Only the River Flows’ Review: The Emotional Burdens of Life’s Uncertainty ‘Longlegs’ Review: Procedural Police Thriller meets Harrowing Horror ’12th Fail’ Review: An Immersive Testament To An Unyielding Resolution ‘The Accountant 2’ Review: Ben Affleck and Jon Bernthal shine in a surprisingly superior sequel | Talking Films Previous Story ‘Havoc’ Review: Gareth Evans Soaks Up a Familiar Bullet-Ridden and Bloody Action Thriller Next Story ‘Thunderbolts*’ Review: Jake Schreier’s First Foray into the Big-Budget Studio Filmmaking Benefits From Florence Pugh-Led Team Dynamics Source link You Might Be Interested In ‘Manjummel Boys’ Review: A Beautifully Made Engrossing Emotional Drama Review: ‘Coolie’ and the Enduring Aura of Rajinikanth ‘Night Always Comes’ Review: A Committed Vanessa Kirby Leads Netflix’s Erratic Poverty-Stricken, Single-Night Crime Drama ‘Cloud (2024)’ Review: Kiyoshi Kurosawa’s Chilling Take on Modern Success and Moral Decay ‘Nobody 2’ Review: A Formulaic Sequel Saved by Bob Odenkirk’s No-Nonsense Performance and Timo Tjahjanto’s Visceral Action-Comedy Mayhem ‘Juror #2’ Review – Clint Eastwood’s Courtroom Drama Delivers its Final Verdict too Early Share 0 FacebookTwitterPinterestRedditWhatsappEmail DIGITAL TIMES You may also like ‘Anemone’ Review: A Visually Grand, Emotionally Impenetrable Return... ‘Frankenstein’ Review: Guillermo del Toro Turns a Passion... ‘Springsteen: Deliver Me From Nowhere’ Review – Familiar... ‘Mr. Scorsese’ Review: A Life in Frames ‘No Other Choice’ Review – Absurd Comedy Meets... ‘Blue Moon’ Review – Linklater and Hawke Joins...
Previous Story ‘Havoc’ Review: Gareth Evans Soaks Up a Familiar Bullet-Ridden and Bloody Action Thriller Next Story ‘Thunderbolts*’ Review: Jake Schreier’s First Foray into the Big-Budget Studio Filmmaking Benefits From Florence Pugh-Led Team Dynamics
Previous Story ‘Havoc’ Review: Gareth Evans Soaks Up a Familiar Bullet-Ridden and Bloody Action Thriller
Next Story ‘Thunderbolts*’ Review: Jake Schreier’s First Foray into the Big-Budget Studio Filmmaking Benefits From Florence Pugh-Led Team Dynamics