Movie ‘Bugonia’ Review – Lanthimos’ Delivers a Thematically Rich Film with a Knock-out Performance from Jesse Plemons by DIGITAL TIMES 4 months ago written by DIGITAL TIMES 4 months ago 0 comment Share 0FacebookTwitterPinterestRedditWhatsappEmail 28 You Might Be Interested In ‘Venom: The Last Dance’ Review: A Messy, Bloated, Surprisingly Emotional Farewell ‘Chad Powers’ Trailer: Glen Powell Fumbles Into Comedy Gold Sundance 2025: DJ Ahmet is a Tale of Music, Love, and Rebellion in the Balkans Sundance 2024: ‘Brief History of a Family’ Is A Dark Tale of Aspiration and Consequence ‘Ghostbusters: Frozen Empire’ Review: A Step Back That Still Holds Enough Entertainment ‘Mission: Impossible – The Final Reckoning’ Review: Tom Cruise’s Ostensibly Farewell to His Ethan Hunt-Led Mission Delivers Some Serious Fun in Christopher McQuarrie’s Lengthy Finale ‘Bugonia’ Review – Lanthimos’ Delivers a Thematically Rich Film with a Knock-out Performance from Jesse Plemons | Talking Films Previous Story ‘Anemone’ Review: A Visually Grand, Emotionally Impenetrable Return for Daniel Day-Lewis Source link You Might Be Interested In ‘No Other Choice’ Review – Absurd Comedy Meets Breakdown of Capitalism in Impressive New Park Chan-wook Film ‘The Girl with the Needle’ Review: An Uncompromisingly Bleak Black-and-White Period Drama and Psychological Horror ‘CTRL’ Review: The Toll of Digital Recognition ‘Despatch’ Review: A Well-Built Thriller, Yet Falling Short ‘Cloud (2024)’ Review: Kiyoshi Kurosawa’s Chilling Take on Modern Success and Moral Decay ‘Nosferatu’ Review: Eggers Tale of Desire is a Genius Version of this Story Share 0 FacebookTwitterPinterestRedditWhatsappEmail DIGITAL TIMES You may also like The Devil Wears Prada 2: Official Trailer, Cast,... Sundance 2026 – ‘Birds of War’ Review :... Travis Scott Joins the Ranks of Nolan’s Epic... A Sundance 2026 Standout – Talking Films ‘Agatha Christie’s Seven Dials’ Review: A Carefully Mannered... ‘The Rip’ Review: Writer-Director Joe Carnahan Effectively Combines...
Previous Story ‘Anemone’ Review: A Visually Grand, Emotionally Impenetrable Return for Daniel Day-Lewis
Previous Story ‘Anemone’ Review: A Visually Grand, Emotionally Impenetrable Return for Daniel Day-Lewis